Children’s book illustrators and aspiring illustrators were among those who tuned in from the U.S. to Portugal, and Australia to South Africa Saturday morning (Texas time) for an online class on the InteractBuilder software.

They were learning about a new venue for their narrative art: A new kind of book for iPads, iPhones and other touch screen gadgets.

Such books combine elements of an illustrated storybook, e-book, game app and toy for a new kind of reading and learning that engages with your fingertips.

Videos shown on this post today are not InteractBook brand books and were not made with InteractBuilder. They were made by other book app publishers. But they give an idea of the interactive book experience. We’ll see some InteractBook examples in the next post, including winning entries of the InteractBuilder Contest that concluded in October.

Saturday’s class was the first in a series of eight Saturday sesions.

The classes, which are free, amount to a complete training on InteractBuilder.

This software is presently offered at no charge to individual “book builders”, developer and company founder Ezra Weinstein said Saturday.

You’ll learn enough in the class series to be able to build your own digital book on your PC or Mac — and in plenty of time to enter your creation in the 2nd InteractBook Contest, he said.

He announced the new contest in Saturday’s class. Deadline: April 1, 2012.

First prize: a new iMac and an iPad2,  so the winning author-illustrator can go into digital book production on a grand scale (with a little help, maybe from the online InteractBuilder Publisher’s Community.)

(Note: Although you can download the software and build an InteractBook on your computer, you need an iPad or an iPhone to test how it will function on the interactive tablets and devices — their sensitive touch screens are key to the interactive book experience.)

The company is working on a simulator for the PC, however.

Also it expects to have the InteractBuilder software ready to work for Android tablets (such as the Kindle Fire) sometime next year, Weinstein said.

“I knew I was behind in tech knowledge. I just never dreamed how very far behind,” said a student after the two hour introductory class Saturday.

The series of trainings aims to bridge the knowledge gap and inspire illustrators and writers to think about a new kind of content — unfamiliar and perhaps even a bit unfathomable to those of us who grew up with paper books, but not mysterious or strange to a new generation of young readers.

On Saturday Ezra showed how to assemble a page with text and images (created in tools like Photoshop and Gimp) and bring it to captivating interactive life using the InteractiveBuilder dashboard.

He introduced the building blocks for structuring the reading experience of an InteractBook: Elements, Intersections, Interactions and Behaviors.

He also explained how the publishing business model would work for creators.

For example, if your book sells for U.S. $1 on Apple iTunes in the InteractBooks store, Apple will get its cut — 30 percent.

InteractBooks, as publisher would take 21 percent.

The author-illustrator would receive what’s left — 49 percent.

GrandPa and Rufus from "It's time for carrots"

Grandpa and Rufus from "It's Time for Carrots"

Illustrators could generate additional revenues from the sale of bookshelf designs and shelf “decorations.” Think: Stickers. Virtual bracelet charms. Pokemon. Hello Kitty.

A book would not have to begin and end its life as strictly InteractBook virtual property, either.

“You own the copyright so you are free to take your book to other delivery platforms — e-books, audio books, paper books.” Weinstein said. “In fact, we encourage you to do so.”

And he offered an editorial tip to book builders: “Try not to distance the reader from the story” with all the distracting interactive features one of these books can offer, he said.

“You could put a your activity or little game at the end of the book, or something in the middle. We feel that the story is the most important thing.”

Eight week online class on InteractBuilder

This Saturday, April 17, Weinstein will teach the second of the eight free classes on how to produce an interactive illustrated children’s book for the iPad, iPhone and other touch screen devices using InteractBuilder software.

The class continues  live on Saturday mornings (10:00 a.m. U.S. Central Time.)

See more details, a class schedule and a replay of this past Saturday’s class here.

From "Lord of the Scribes" an iPad Book written and illustrated by David Tribble

From idea to iTunes

Discover how author-illustrator David Tribble produced his technology themed-picture book Lord of the Scribes for the iPad, using Apple’s Fixed Layout ePub.

He shares his process in the replay of an online presentation that he gave to “Marks and Splashes” students on Monday. See more.

Marsha Riti video in blog post

Learn a great way to draw

Watch the interview with illustrator Marsha Riti about her first published book  on the How to Be A Children’s Book Illustrator blog.

Learn a most useful secret for good drawing and discover the Make Your Marks-Make Your Splashes! online course on how to illustrate children’s books effectively and beautifully.

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Normally, Marsha Riti, who illustrated the new children’s picture book The Picky Little Witch penned by Elizabeth Brokamp (Pelican Press) does not sport pink platinum hair.

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Marsha Riti and SCBWI illustrator pals

Marsha surrounded by her colleagues from the Austin SCBWI Girllustrators at the signing of “The Picky Little Witch” by Elizabeth Brokamp at BookPeople

But it was a costume bash/book launch and the celebrated independent Austin bookseller BookPeople is always up for a party and a crowd on its second floor.

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Author-illustrator Shelley Ann Jackson and a hula girl friend.
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Illustrators Amy Farrier and Emma Virjan with Marsha.

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Illustrator Lalena Fisher and a little witch friend.

* * * * *

ALICE A Halloween coven of illustrators

All of us at last week’s group critique session for the Marks and Splashescourse learned some lessons about professional mindset from illustrator Karien Naude. She co-moderated the critique with me from her home in Johannesburg, South Africa. Read our interview with Karien and see some examples of her marvelously fresh work in this week’s How to Be a Children’s Book Illustrator blog. Check her Alice in Wonderland — drawn in ink with nylon tip pen on paper, then colored on the computer with Corel Painter software.

3d3futf 83fb3fquxjq0uglmpwzw3d3d3f3d 794934 A Halloween coven of illustrators

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The logo designed for the event by Austin illustrator Dallion MacGregor said it neatly — the dawn of a new era for a device known for centuries as the book. Copy of P1050093 Embrace the change

Social media consultant Nick Alter (left), illustrator-author Clint Young (center) and graphic designer, comics art and web consultant Erik Kuntz (right) prepare for their presentations this past weekend. On the monitor is Clint’s illustration of Mole for The Wind in the Willows: Redux by Newbery Honor  author Jacqueline Kelly.

Organized by the Austin, Texas SCBWI chapter and sponsored by St. Edward’s University, it delivered on what it had promised: Authors, illustrators and other venturesome book people sharing what they’d learned in the field about unleashing stories for e-books and digital interactive book apps and iPhone game apps and animations using TED-style chalk talks — using crazy blends of traditional and digital tools.

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Designer, writer, comics artist, animator, owner of SquareBearStudio.com Erik Kuntz

Creating and maintaining your web persona presented by Erik Kuntz

“You can’t expect your agent or publisher to do it for you anymore: your main publicist is you. Not matter what stage you are at in your publishing career, creating a compelling and accessible online presence is a necessity. Your brand is no longer just your work: the audience now wants to feel a connection with you,” Erik explained before taking his listeners through the not-actually-that-scary world of blogs, search engines, social media, book trailers and other tools for effectively promoting yourself promoting yourself. P1050132 300x192 Embrace the change
Standing out in the e-book crowd: storybook apps, enhanced content, and digital marketing extras presented by Deanna Roy

Deanna Roy, publisher at Casey Shay Press, an independent press based in Austin developed Dust Bunnies, a special-featured iPad/iPhone storybook app, in partnership with Polycot Labs.  She also created Kids Show Kids How to Make Balloon Animals for all color e-book platforms. Deanna spoke of going beyond uploading text and covers and creating enhanced e-book content with bonus features to set your book apart. Illustrators or authors can pitch unique storybook apps to developers or have them custom  custom-built. P1050118brighter 300x225 Embrace the change

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There’s an app for that presented by Amanda Williams. The illustrator/art director of the award winning game Spider: The Secret of Bryce Manor, developed by Tiger Style Games spoke of creating apps for Apple devices such as iPhone, iPad, and iPod Touch.

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She shared the fascinating story of how a small, dedicated virtual team of programmers, designers and musicians from around the U.S. pulled together to create Spider — an experience that was new to her as an illustrator. Amanda showed examples of art for interactive game apps and some of the the tools and techniques (digital and traditional) she uses to create environments for mobile video games.

Clint Young
Illustrator Clint Young with one of his illustrations for “Rat” of Jacqueline Kelly’s “Wind in the Willows” sequel, “Wind in the Willows: Redux”

From paper to pixels; the art of the digital paintbrush was presented by animation and game concept artist Clint Young, who has worked for major entertainment companies such as LucasArts Entertainment to game-maker Bioware.

Young demonstrated how he creates his own brushes in Photoshop to produce finished art pieces that look and feel like they’ve been crafted from real paint. They’re layered for animation and ready to be delivered to an editor.

Getting discovered and why you should absolutely give your stories away for free presented by Bear James. Whether in print or on the iPad, the children’s literature marketplace is always getting more crowded.  Being ignored means failure, and although no magic elixir exists for getting your stories discovered, author, illustrator and designer Bear James presented some interesting trends and unconventional solutions he’s observed from other countries, markets and the recent past.

Bear James

By being savvy about new technologies, marketing, game theory and engaging with the fans, Bear aims to offer stories that continue to grow with people beyond the confines of a traditional book.

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Bear's presentation


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Picture book author Lindsey Lane talks about the journey of her picture book, "Snuggle Mountain" (Clarion) illustrated by Melissa Iwai to new life as an app for an iPhone and an iPad. Below, Brad Graeber, CEO and co-founder of Powerhouse Animation (left) and freelance illustrator Joel Hickerson (right) showed how YouTube can be used to educate, promote and publicize.

Joel Hickerson


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Clint Young and Mr. Toad


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Writer - illustrators Nicole Cortichiato and Gene Brenek



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Austin SCBWI founder Meredith Davis, Shelli Cornelison and Girllustrators Amy Farrier, Emma Virjan and Marsha Riti wait for a session. Below, Christy Stallop, Marsha Riti, Amy Farrier and Houston SCBWI illustrators coordinator Diandra Mae catch up.

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Illustrator Christy Stallop takes notes while Richard Johnson of InteractBooks introduces the InteractBuilder software via Skype from his Los Angeles hotel room.

Illustrator Christy Stallop takes notes while InteractBuilder’s Richard Johnson addresses her group from his Los Angeles hotel room.

Clint Yung demonstrating

More links:

Author Lindsey Lane

Powerhouse Animation Studios

Joel Hickerson

Space City Illustrators – Houston SCBWI

It’s just a small sampling of the presenters from the groundbreaking SCBWI conference.

Find more links and read about all the symposium offerings.

Oh, and (amazingly) it rained!

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Dallion McGregor's logo

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