Rudyard Kipling’s father John Lockwood Kipling was an art teacher, art school director, museum curator and the first artist to illustrate The Jungle Book stories (volumes 1 and 2) that his son wrote.
Then, like good tales so often do, The Jungle Book went Hollywood. Walt Disney saw the potential when his chief story editor and longtime animation artist Bill Peet suggested that the adventures of Mowgli, Akela and Baloo offered some interesting animal characters for the staff to play with.
Disney and Peet later clashed over the direction of the script and storyboards Peet was developing. Peet, who’d go on to become a prolific children’s book author and illustrator, wanted the film to stay true to Kipling’s dark themes of survival challenge and man’s destruction of wild habitat.
Disney wanted music, laughs, sunshine, loveable characters “and a little heart.”
This Disney produced documentary smacks in the beginning of hagiography, but it shifts gears to tell a fascinating “process story”, rich with interviews and the artwork in all its stages and permutations. I hope you enjoy this part 1 video.
Walt Disney knew he had much to learn from children’s books and children’s book art (just as children’s book illustrators know they have much to learn from 80 years worth of Disney animators.)
Dumbo didn’t come from a children’s book exactly.
It came from a little paper toy that carried a little story with pictures inside it. Written by Helen Aberson and illustrated by Harold Pearl, Dumbo was actually the prototype for Roll-A-Book — a scroll that unfurled into a little panorama with only eight drawings and just a few lines of text. It sold for a few pennies as an impulse item at grocery and drugstore checkout lines.
OK, so it was sort of a book. (And we thought alternative books were spawned by the iTunes store and Amazon Kindle.)
Disney’s head of merchandise licensing Kay Kamen showed the product to Disney, who “immediately grasped its possibilities and heartwarming story and purchased the rights to it,” according to Wikipedia.
Two of the studio’s best writers were brought in to re-craft the yarn, Hollywood style. Today the film is regarded as the last of the “Golden Age” animated features and considered by some to be the best of the Disney cartoons.
Important characters developed for the movie were Dumbo’s mother and the black crows, who act like surrogate fathers to Dumbo.
“They’re the ones who give Dumbo hope,” the video tells us.
Timothy Mouse replaced the Red Robin ally from Abeson’s tiny tale.
It was not a lavish production. Most of the animation staff was still laboring away on Bambi, an expensive project that was taking years. So the studio’s older top animators, the teachers of the staff, were assigned to it.
Shortcuts were found. Backgrounds were painted in watercolor, as opposed to the usual gouache and oil paint. Compositions were simplified, streamlined. The film was even 40 minutes shorter than the usual feature and it wound up costing less than $1 million.
Despite all the economizing, Dumbo was vastly informed by the culture — music, architecture, design and even the literature of the day, the video documentary tells us.
“The richness of all the arts in the world were brought into the Disney studios,” a narrator says.
Visual influences came from circus posters, muscular American regional art (Grant Woods and Thomas Hart Benton) and the symbolic imagery of the German Expressionist cinema and surrealist painters like Salvador Dali.
The Pink Elephants on Parade musical sequence of the film was even said to be a parody of Surrealism.
Dumbo turned out to be the most financially successful Disney film of the 1940s. It rescued the company from its steep losses on Pinocchio and Fantasia.
Disney animator and children's book author-artist Bill Peet
Here’s a post from animator Michael Sporn’s ‘s great blog about animator (and children’s book author-illustrator) Bill Peet who worked with the brilliant animator Bill Tytla to shape many of the best sequences in Dumbo. You’ll find a wealth of illustrations from Peet’s storyboards and the finished painted cels.
We have winners!
Congratulations to Toria, Pam, Doug and Cornelia, who answered correctly that Mickey’s original first name was Mortimer. They’ve received the Dauntless Design session from the Make Your Splashes – Make Your Marks!course.
Disney changed his mouse’s name from Mortimer to Mickey at the suggestion of his wife, who told him that the character looked nothing like a Mortimer.
New Facebook timeline page
Check out the pictures and resources posted on our new Facebook timeline page How to Illustrate a Children’s Book. New things go up there almost every day.
Not a kind portrayal of the creator of Mickey Mouse, with a fascinating comparison between Disney with his studio — and J. Edgar Hoover with his F.B.I. Seething over the strike by most of his animators in the 1940s, he eventually took his revenge as an F.B.I. and House UnAmerican activities committee informant, the show says.
The “Secret Lives” documentary proves absorbing. Insights into this creative giant of American arts and entertainment are gleaned through a glass darkly.
Don’t forget last week’s Trivia contest. We’ll pick a winner this Wednesday (May 2) from those who leave a comment providing the correct answer to the question, what was Disney’s original name for Mickey Mouse?
The winner will be sent a link to the complete video lesson, Dauntless Design the Make Your Splashes – Make Your Marks!onlinecourse in children’s book illustration.
A big thank you to all of you who have already submitted responses!
This Disney produced documentary smacks in the beginning of hagiography, but it shifts gears to tell a fascinating “process story”, rich with interviews and the artwork in all its stages and permutations. I hope you enjoy this part 1 video.
